Archive for the ‘Rugs’ Category

Painted pomp

April 23, 2013
Portrait of Lady Anne Sackville, Lady Beauchamp (1586–1664) or Frances Prynne or Prinne, Lady Seymour of Trowbridge (d.1626), attributed to William Larkin, at Petworth House (inv. no. NT486187). ©National Trust Images/John Hammond

Portrait of Lady Anne Sackville, Lady Beauchamp (1586–1664) or Frances Prynne or Prinne, Lady Seymour of Trowbridge (d.1626), attributed to William Larkin, at Petworth House (inv. no. NT486187). ©National Trust Images/John Hammond

Over the weekend I visited an excellent small exhibition at the Holburne Museum in Bath, entitled Painted Pomp, about portraiture and fashion in the Jacobean period.

Ushak carpet at Gawthorpe Hall, Lancashire (inv. no. NT42883). ©National Trust Collections

Ushak carpet at Gawthorpe Hall, Lancashire (inv. no. NT42883). ©National Trust Collections

The exhibition includes nine full-length portraits by William Larkin (early 1880s-1619) of relatives of Thomas Howard, 1st Earl of Suffolk (1561-1626). The paintings originally hung at Charlton Park, Malmsbury, a seat of the Earls of Suffolk and Berkshire, and were given to the nation in 1974. They are now in the care of English Heritage at Kenwood in north London.

In this post I am showing some other portraits by and after Larkin in various National Trust collections.

Portrait of Francis Seymour, 1st Baron Seymour of Trowbridge (c.1590-1664), in the style of William Larkin, at Petworth House (inv. no. NT486188). ©National Trust Images/John Hammond

Portrait of Francis Seymour, 1st Baron Seymour of Trowbridge (c.1590-1664), in the style of William Larkin, at Petworth House (inv. no. NT486188). ©National Trust Images/John Hammond

The pictures document some of the extravagant and highly crafted fashions of the period, such as pinked silk, embroidered shirts, punto in aria (‘stitches in the air’) lace collars and shoes and gauntlets trimmed with gold and silver thread.

Ushak carpet at Sudbury Hall, Derbyshire (inv. no. 653287). ©National Trust Collections

Ushak carpet at Sudbury Hall, Derbyshire (inv. no. 653287). ©National Trust Collections

It is interesting to see how the men are sometimes more gorgeously attired than the women. This was clearly an age when ‘power dressing’ meant dressing as flamboyantly as possible.

Portrait of Mary Curzon, Countess of Dorset (1585 -1645), by William Hamilton RA (1751-1801) after William Larkin, at Kedleston Hall (inv. no. NT108775). ©National Trust Images/Ian Blantern

Portrait of Mary Curzon, Countess of Dorset (1585 -1645), by William Hamilton RA (1751-1801) after William Larkin, at Kedleston Hall (inv. no. NT108775). ©National Trust Images/Ian Blantern

Prominently visible in the portraits are the Turkish Ushak rugs, expensive status symbols in the early 17th century, and the exhibition includes an actual Ushak rug.

Ushak carpet at Chastleton House, Oxfordshire (inv. no. NT1430658). ©National Trust Collections

Ushak carpet at Chastleton House, Oxfordshire (inv. no. NT1430658). ©National Trust Collections

There are also a few surviving items of Jacobean clothing on show, as well as two replica costumes made for use at Shakespeare’s Globe, London.