Archive for the ‘Laubin, Carl’ Category

Carl Laubin at work

May 25, 2011

The initial sketch for Vanbrugh's Castles. ©Carl Laubin/Plus One Gallery

Last week I posted about Carl Laubin’s forthcoming exhibition at the Plus One Gallery. Today I want to show some images that allow us to look over the artist’s shoulder as he was painting Vanbrugh’s Castles.

The composition scaled up and transferred onto canvas. ©Carl Laubin/Plus One Gallery

The idea for this painting evolved out of Laubin’s previous work, Vanbrugh Fields. The artist now wanted to give the Blenheim Bridge a more central role. Instead of using a Claudean tree to balance the composition he created a steeply rising bank of buildings on the right side of the painting.

Blenheim Bridge emerges. ©Carl Laubin/Plus One Gallery

An initial sketch was developed into a working drawing, which was then scaled up and transferred onto canvas.

As the compsition is filled out, the Temple of the Four Winds appears too dominant. ©Carl Laubin/Plus One Gallery

As the painting developed, certain problems of composition and scale became apparent. For instance, Laubin felt that the Temple of the Four Winds in the right foreground (in reality at Castle Howard, North Yorkshire), didn’t feel quite right there.

The Temple of the Four Winds is removed. ©Carl Laubin/Plus One Gallery

It was removed to the middle ground and replaced by the demolished Bagnio from Eastbury.

More detail is added, but something still seems to be lacking. ©Carl Laubin/Plus One Gallery

But this in turn seemed to reduce the depth of the composition.

Trying out a reduced version of the Temple. ©Carl Laubin/Plus One Gallery

Experimenting with a less prominent version of the Temple of the Four Winds sketched onto an acetate overlay, Laubin found a better place for it further down in the lower right corner. This also gave the Blenheim Bridge more breathing space.

The final version of Vanbrugh's Castles. ©Carl Laubin/Plus One Gallery

How amazed Vanbrugh would have been to see his oeuvre laid out like this, as a kind of palatial hill town. I am very grateful to Carl Laubin for allowing us this glimpse into his studio – indeed, into his imagination.

Carl Laubin, capriccio painter

May 18, 2011

Carl Laubin, Vanbrugh Fields ©Carl Laubin/Plus One Gallery

Carl Laubin is an artist who is passionate about architecture. Many of his works are in the tradition of the capriccio, or imaginary landscape. Laubin combines an element of fantasy with a meticulous attention to detail, using historical sources to document the buildings he is painting.

Laubin will be having an exhibition at the Plus One Gallery in London from 8 June until 2 July 2011. Among the works on show will be Vanbrugh Fields, a painting celebrating the buildings of Sir John Vanbrugh. The capriccio format allows Laubin to depict the architecture as it was designed rather than as it was eventually built (or not built), in its ideal state.

Carl Laubin, National Trust capriccio. ©NTPL/John Hammond

Castle Howard (top right, on the hill), for instance, is shown with its now demolished entrance gate. The bridge at Blenheim (lower right) has its intended grand superstructure, which was never completed after the Duchess of Marlborough fell out with the architect.

As a tribute to Vanburgh’s conservation efforts at Blenheim, Laubin shows a whisp of smoke coming out one of the chimneys at Woodstock Manor (far right, just below the brow of the hill) – Vanburgh admired the picturesque building, lived in it for a while and wanted to preserve it, but the Duchess had it swept away. And can you spot Seaton Delaval Hall, which the National Trust acquired last year?

Carl Laubin, Fallen beech with prospect of Cliveden. ©NTPL

The National Trust commissioned a few paintings from Laubin some years ago, including National Trust capriccio, showing the buildings of architectural significance owned by the NT. Fallen beech with prospect of Cliveden commemorates the damage done by the great storm of 1987.

I will follow this up next week with a post showing the successive stages of development of another recent painting by Laubin, Vanbrugh’s castles.