The craze for garnitures

Garniture of three blue-and-white baluster Delft vases, Kingston Lacy, Doret.

Garniture of three blue and white baluster vases made in delft and decorated with Chinese-style figures, late 1690s, at Kingston Lacy, Dorset (NT 1250639). ©National Trust/Robert Morris

A ground-breaking exhibition at the Victoria and Albert Museum is bringing together fifteen ‘garnitures’, meaning sets of vases meant to be displayed together – all from historic houses in the care of the National Trust.

Garniture of porcelain jars and vases from China, The Argory, County Armagh.

Garniture of Chinese porcelain jars and vases, 1770s, at The Argory, Co. Armagh (NT 563412, NT 563413 and NT 563420.1). ©National Trust Images/Robert Morris

The exhibition has been curated by Patricia F. Ferguson, the National Trust’s ceramics adviser. As Patricia relates, the taste for garnitures goes back to the early seventeenth century, when Asian ceramics began to be imported into Europe.

Arranged on tables, cabinets and chimneypieces, they would glint and shimmer in the light of candles and fires. In an age when China was inaccessible and porcelain rare, they were redolent of exoticism and sophistication.

A group of Japanese Hampton Court style hexagonal jars, porcelain, c.1680 at Dunham Massey, Cheshire

Garniture of Japanese Kakiemon porcelain vases, ‘Hampton Court’ type, c.1680, at Dunham Massey, Cheshire (NT 929282 and NT 929283). ©National Trust Images/Robert Morris

But when war broke out in China in the 1640s and the production of porcelain faltered, both Japanese and European manufacturers came in on the act. Examples of all of these types and styles, and more, are represented in the houses of the National Trust, and in this exhibition.

The free exhibition is in room 146 of the Victoria and Albert Museum until 30 April 2017.

7 Responses to “The craze for garnitures”

  1. artandarchitecturemainly Says:

    Did the vases in each garniture ever have any useful function?

  2. Michael Shepherd Says:

    The V&A have produced a most information catalogue for this exhibition. Well worth a look

  3. imogen88 Says:

    Lovely post, thank you

  4. jennieck Says:

    Hello Emile
    I too am fascinated and “moved” by Chinese art and was inspired by your article over breakfast this morning. I have been told by an artist friend that my own style of art is “oriental” – probably because I like the simplicity and the subtlety of the colours. Thank you. Jennie Cummings-Knight

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