As I was watching the first episode of Stephen Poliakoff’s new television series Dancing on the Edge the other day, I noticed that one of the scenes was shot at Upton House. The Long Gallery at Upton, with its celadon green paneling, features as part of the 1930s mansion of Mr Masterson, a mysterious and slightly sinister plutocrat.
The debate is already raging about the pros and cons of Poliakoff’s casting, dialogue and plot. But what is without doubt is that this auteur director has a great eye for evocative locations.
And the atmosphere at Upton is in fact very ‘interwar’. The house was remodeled in 1927-9 by Percy Morley Horder for Walter Samuel, 2nd Viscount Bearsted.
The 2nd Lord Bearsted was chairman of Shell and owner of the bank M. Samuel (now part of Lloyds TSB). He was a great philanthropist, particularly in the areas of hospitals and schools, and a fervent collector of paintings, tapestries, furniture, French gold boxes, English silver, English miniatures, illuminated initials, oriental works of art and English porcelain.
The Long Gallery contains some of these collections, but there is also a dedicated Picture Gallery in the house (which I have shown before). In fact, Lord Bearsted’s passion for collecting is evident in almost every room.
Although Upton was decorated by Horder in a restrained neo-Georgian style, there are certain spaces, such as the two-storey Picture Room with a view down from the Library, which have a theatrical, distinctly interwar atmosphere. There are wonderful ‘Curzon Street baroque’ touches like the velvet-covered uplighters in the Billiard Room. And Lady Bearsted’s silver bathroom is pure Hollywood.