The original, dating to around 1700, came from Ord House in Northumberland and is now in the collection of the Victoria & Albert Museum, London. The outlines of the design were printed, with the colours added with the use of stencils and the black background painted in by hand. The paper was then varnished, probably to make it look more like East Asian silk or lacquer.
For the Antechamber at Avebury painter Mark Sands created a version of this design, but here applied directly onto the wall. Mark used stencils to lay out the pattern, which he then painted in by hand, taking care to recreate the slightly naive look of the original.
In the playful spirit of the project, Mark added local wildlife to the scheme, including wild pansies, red admiral and peacock butterflies, great crested newts (whose appearance in the Avebury garden caused a delay to the project, as they are protected) and even a fox.
The Avebury project has generated an interesting debate about how far an organisation like the National Trust should go in recreating history with a degree of freedom rather than rigorously sticking to the available historical evidence.
Avebury was chosen for this project as it doesn’t have much in the way of original contents, and there are certainly no plans to give our other, more fully furnished historic houses such a radical make-over. But if you have an opinion about this kind of approach then do leave a comment.