Patterns of beauty at Wightwick

A corner of the Great Parlour at Wightwick Manor. ©NTPL/John Hammond

The July 2011 issue of The World of Interiors features an article on Wightwick Manor, Wolverhampton, with text by Nicholas Mander and photographs by Christopher Simon Sykes.

Detail of a piece of 'Diagonal Trail' fabric, designed by J.H. Dearle for Morris & Co, in the Oak Room at Wightwick. ©NTPL/Andreas von Einsiedel

I thought I would use that as a pretext to show some more details of the amazing Arts and Crafts interiors at Wightwick.

Early Moorcroft vase in the Daisy Room at Wightwick. ©NTPL/Paul Raeside

Wightwick was built by Edward Ould for Theodore Mander, a prosperous Victorian paint and varnish manufacturer.

Detail of the 'Acanthus' wallpaper pattern, designed by William Morris in about 1875, in the eponymous Acanthus Bedroom at Wightwick Manor. ©NTPL/Andreas von Einsiedel

Theodore Mander was religious and public-spirited and was interested in John Ruskin’s ideas about the importance of craftsmanship and the inspiration of the past. His outlook is reflected in the Arts and Crafts-style decoration of the house.

Copy of the 'Kelmscott Chaucer', published by William Morris in 1896, his last major artistic project, at Wightwick Manor. ©NTPL/Paul Raeside

The house was further enriched by Theodore Mander’s eldest son Sir Geoffrey Mander and his wife, Pre-Raphaelite expert Rosalie Glynn Grylls. The Manders presented Wightwick Manor to the National Trust in 1937, when regard for anything Victorian was at a low ebb.

Detail of the 'Wild Tulip' wallpaper by Morris & Co in the Dining Room at Wightwick Manor. ©NTPL/Andreas von Einsiedel

The Mander family subsequently continued to add choice pieces to the Wightwick collection, joined by several generous donors. In 2007, for instance, an anonymous benefactor gave a copy Morris’s Kelmscott Chaucer.

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