Chinese picture used as wallpaper in the Study at Saltram. ©NTPL/John Hammond
After the recent flurry of posts about Chinese wallpapers and related subjects, both on this blog and on Style Court and Little Augury, I wanted to show a few of the intriguing eighteenth-century papers that have inspired the ones being created today by Fromental and De Gournay.
The Study, showing the astonishingly varied arrangement of papers used to decorate the walls. ©NTPL/John Hammond
Saltram, in Devon, was rebuilt and redecorated in the 1740s for John Parker and his heiress wife, Lady Catherine, daughter of the 1st Earl Poulett. They introduced high-quality plasterwork and also a variety of Chinese wallpapers.
A garden scene, in the Study. ©NTPL/John Hammond
The walls of the Study have a collection of sections of wallpaper and decorative pictures on paper of widely differing sizes and subjects divided and framed by (European) key-fret strips. It has the phantasmagoric feeling of a room-size picture book.
The Chinese Chippendale Bedroom. ©NTPL/Andreas von Einsiedel
The Chinese Chippendale bedroom has a panoramic ‘wallpaper’, which in fact is a painted silk hanging showing people engaged in various occupations and industries. Mid-eighteenth-century Chinese paintings on glass hang on top of the wallpaper, and the chairs and hanging shelves with chinoiserie fretwork further enhance the exotic feeling of the room.
The Chinese Dressing Room. ©NTPL/John Hammond
The wallpaper in the Chinese Dressing Room, painted on mulberry paper, is probably the oldest at Saltram, dating from the early eighteenth century, and depicts elegant people in a garden setting.
A number of the panels are repeated, and various birds and other elements have been cut out from other papers and pasted in, showing how the decorative value of the pattern was valued more than its realistic content.
One of the mirror paintings in the Mirror Room, with the panoramic paper behind. NTPL/Rob Matheson
The paper in the so-called Mirror Room was moved here in recent times from a room not on view to the public. It is made up of sections of a panoramic wallpaper, again augmented by glass paintings, fretwork furniture, lacquer and porcelain.
Many grand houses would have had more than one Chinese wallpaper in the past, but Saltram is one of the few where so many of them survive.