After the acquisition of the fifteenth-century Caxton Missal for Lyme Park in 2008, the opportunity was taken to refurbish the library at the house. It was decided to take the room back to about 1873, the date that the Missal was rediscovered there.
James Rothwell, the curator for Lyme, worked with the National Trust’s adviser on interior decoration, James Finlay, to research how the library would have been furnished at the time.
Evidence for the wallpaper was found in a 1901 issue of the magazine The Ladies’ Field that showed a photograph of the Lyme library. A few precious scraps of this paper were found underneath a later wallpaper. It had also left faint shadows of its pattern on the underlying wall, but frustratingly no other surviving examples could be traced.
James Rothwell searched through the early Victorian wallpaper patterns in the registers of designs at the National Archives at Kew, photographing similar examples. It became clear from the stylistic evidence that Lyme’s paper must have been produced in the 1840s, possibly at the time of Thomas Legh’s second marriage in 1843.
All this evidence – the scraps, the shadows, the photograph, the similar examples – then allowed James Finlay to redraw the design. The fragments showed that the colourway had been a warm stone-coloured distemper ground with a damask design made up of bright metallic gold and deep red flock.
After a close-run selection process the commission to produce the wallpaper was given to Atelier d’Offard in Tours, a company that combines modern technology with traditional techniques and materials. Under James F.’s supervision blocks were cut, colours prepared and wool flock dyed.
The wallpaper was delivered in June 2010. Experienced local decorator David Wynne of Albert W. Wynne and Sons was called in to hang the paper, a sight that the visitors to Lyme enjoyed witnessing.
Both Jameses were relieved to find that the wallpaper is not at all overpowering. In fact, it blends in very well with the regrained oak ceiling, the red velvet upholstery (from Lelièvre of Paris) and the cleaned oak bookcases. The Lyme Caxton – and the visitors who come to see it – have been made to feel very welcome.